Kreezcraft

Censor Video Regions in Kdenlive

IntroductionIn this tutorial you’ll learn how to select and censor specific areas of your footage using only Kdenlive’s built‑in tools. We’ll cover two methods—one using duplicate tracks with a crop‑and‑blur overlay, and another using a mask effect directly on your clip.

Method 1: Duplicate‑Track + Crop + Blur

Step 1: Stack Your Clips

• Place your original video on track V1.
• Copy the same clip onto track V2 above it.

Step 2: Apply Blur to V2

• Select the clip on V2.
• In the Effects panel, drag “Gaussian Blur” (or “Box Blur”) onto it.
• Adjust the blur strength until the region is fully obscured.

Step 3: Crop V2 to the Target Region

• Still on V2, add the “Crop, Scale and Rotate” effect.
• Tweak the Left/Right/Top/Bottom sliders so only your censor area remains visible.
• Everything outside that rectangle becomes transparent, revealing the sharp V1 layer underneath.

Step 4: Keyframe for Movement

• If your subject moves, click the ⚙️ icon next to each crop slider to enable keyframes.
• Scrub the timeline, adjust the crop at new positions, and Kdenlive will interpolate between frames.

Method 2: Mask + Blur

Step 1: Single‑Clip Setup

• Put your clip on V1—no duplication needed.

Step 2: Add a Simple Shape Mask

• With the clip selected, go to Effects → Mask → Simple Shape.
• Choose Rectangle (or Ellipse) and position/size it over the area to censor.
• Check “Invert mask” to apply effects inside the shape (otherwise it’s outside).

Step 3: Apply Blur Under the Mask

• Still on the same clip, add “Gaussian Blur.”
• In the Effects stack, drag Mask above Blur so only masked region is blurred.
• Increase blur strength until the area is adequately hidden.

Bonus: Solid‑Color Censor Bar

If you’d rather block out the area with a bar, use a Title Clip:

1. Add a Title → draw a filled rectangle → set its fill color to black (or any color).
2. Position it over your target region on a track above your footage.

Conclusion

Both approaches work entirely within Kdenlive. Method 1 gives you more precise cropping control, while Method 2 is quicker for static or simply moving targets. Experiment with keyframes to keep your censoring aligned, and you’ll have professional‑looking results in no time!